carpet
ground |
a
background design comprised of densely packed millefiori canes, usually
similar in design and color |
chequers |
spaced
millefiori canes separated by a checkerboard-style grid of short filigree
twists, colored ribbons, or glass rods |
close
concentric millefiori |
millefiori
canes arranged in closely spaced concentric rings around a central millefiori
cane or cluster of canes |
crimp |
a
tool, often brass, used to press a three-dimensional design into a molten
gather of glass, such as in the making of Milleville Roses |
crown
weight |
a
paperweight with alternating lengths of vertically twisted colored ribbons
and filigree extending from the base to the top of the dome, capped with
a millefiori cane |
cut
glass technique |
a
technique of cutting into the surface of a glass object with a stone or
iron wheel, which creates grooves, grids, and other reflective surfaces |
doorstop |
a
paperweight measuring greater in height than diameter |
encased
overlay |
an
overlay weight encased in clear glass |
engraving |
a
technique of cutting into the surface of glass with a metal or stone wheel
to create lines or forms, such as portraits |
facet |
a
flat cut on the exterior surface (of a paperweight) |
filigree |
a
clear glass rod enclosing thin, spirally twisted opaque white or colored
glass threads |
filigree
ground |
a
ground composed of a scattering of short lengths of filigree twists; also
called upset muslin |
flash |
a
thin layer of transparent glass applied to the exterior dome of a paperweight
as a single overlay, or to the exterior base as a colored ground |
garland |
an
arrangement of millefiori canes in loops, circlets, or other chained configuration |
gather |
a
mass of molten glass on the pontil before it is blown or worked |
handcooler |
an
egg-shaped glass form; according to varied sources, once used to cool ladies'
hands |
hollow
blown technique |
a
technique of working glass in which the glassblower expels air through a
hollow pontil into the gather of glass, forming a hollow globe |
jasper
ground |
a
ground made of partially pulverized glass, usually in two or more colors,
that resembles the gemstone jasper |
lampworking |
a
technique of shaping clear or colored glass rods with a torch or blowlamp;
used in forming all non-millefiori design elements of paperweights, such
as animals, flowers, vegetables, and leaves |
latticinio |
an
arrangement of thin, opaque white or colored glass threads in spirals, swirls,
or latticework |
magnum weight |
a
paperweight with a diameter greater than 3 1/2 inches |
marbrie |
a
hollow-blown paperweight with a single opaque white overlay festooned with
colored loops |
millefiori |
Italian
for "thousand flowers"; adescriptive term for paperweights incorporating
any arrangement of millefiori canes |
millefiori
cane |
a
segment of glass sliced in cross section from a cylindrical glass rod enclosing
a continuous design formed by the bunching of multiple canes in a pattern |
miniature weight |
a
paperweight with a diameter of two inches or less |
mushroom |
an
upright tuft of close millefiori or close concentric millefiori canes, tapering
at the base and flaring at the top |
overlay |
a
paperweight that has been coated with one (single overlay), two (double
overlay) and sometimes three (triple overlay) layers of opaque or transparent
glass and cut with windows to expose the enclosed motif |
pastry-mold
cane |
a
millefiori cane that flares at the base |
pattern
millefiori |
a
general term for any ordered grouping of millefiori canes other than the
defined pattern classifications (such as close or concentric); some patterns
are lines, garlands, and circles |
Pinchbeck
weight |
a
paperweight with a relief design of metal leaf simulating silver or worked
in "Pinchbeck Gold," an alloy simulating gold that was invented
by Englishman Christopher Pinchbeck (1670-1732); Pinchbeck designs are set
in a base typically of pewter or marble under a magnifying clear glass dome |
pontin,
pontil
rod |
also
called a punty; a solid or hollow metal rod used during manufacture to hold
and work molten glass from the furnace or from a mold (millefiori base)
|
posy |
a
bouquet of millefiori cane flowers |
printy |
a
concave (usually round or oval) cut on the exterior of a paperweight |
ribbon |
a
flattened band of white glass, usually overlaid with one or more colors |
rod |
a
clear or colored, solid cylindrical length of glass |
scrambled
millefiori |
a
random assemblage of whole or broken millefiori canes, often including filigree
twists and colored ribbons |
set-up |
a
group of lampworked pieces, such as petals and leaves, that will be enclosed
in a gather of clear glass in a paperweight |
silhouette cane |
a
millefiori cane enclosing an animal, flower, or figural silhouette of (usually)
dark-colored glass |
single-cane millefiori |
a
glass design featuring a single millefiori cane, such as a central cane
on a jasper ground |
spaced concentric
millefiori |
millefiori
canes arranged in spaced concentric rings |
spaced millefiori |
a
somewhat random arrangement of isolated millefiori canes |
stave |
a
flattened, opaque white or colored cane |
stave
basket |
an
outer sheath of staves extending down to the base of the weight, usually
arranged in alternating colors |
sulphide |
a
glass-clay paste cameo incrusted in glass |
swirl
weight |
a
paperweight with opaque colored glass rods arranged pinwheel-style around
a center millefiori cane |
torsade |
a
circuar filigree ring of spiraling opaque white and/or colored glass threads |
upset
muslin |
a
tossled arrangement of short filigree sections used as a ground in a paperweight;
also called a filigree ground |
wafer
dish |
a
shallow glass dish used to hold wax letter seals; it usually has a paperweight
base; also called a tazza |